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Dallesandro was known for his voluptuous physical beauty, flesh-baring film appearances, and openness about his bisexuality. Although he never became a major mainstream star, Dallesandro is generally considered to be the most famous male sex symbol of American underground films of the 20th century. According to biographer Michael Ferguson, [1] Dallesandro was "the first openly erotized male sex symbol of the movies to walk naked across the screen". As well as beauty, his on-screen presence has a compelling enigmatic quality. This derives from what often seems especially in his appearance in several Warhol films a bored or surly withholding, and almost comical physical inertia. As a teenager, Dallesandro supported himself by nude modeling and prostitution, and appeared in at least one gay pornography film.
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Joe Dallesandro - Wikipedia

Andy Warhol brought his camera with him everywhere he went — first a Polaroid, and then his treasured millimeter compact Minox. In his lifetime, he produced nearly , images with the Minox alone, only 17 percent of which had been printed at the time of his death. Many of the pieces have rarely, if ever, been seen before. While these images echo product shots in retail catalogs, they are as refined in detail, composition and color as still-life miniatures. It is edifying to see a show of Warhol photographs isolated from the rest of his work, a compelling counterpoint to the monumental Warhol retrospective at the Whitney last year. The language of photography resides at the core of his practice. Throughout the s, as Warhol first gained recognition, photography was given scant regard as anything other than a graphic art, and yet, the march of the photographic image through the studios of the most prominent artists in that decade — including John Baldessari and Ed Ruscha — is undeniable proof that the upstart medium formed the backbone for so much artistic exploration in that era.
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The event is billed as "A Conversation with Joe Dallesandro," and its only real motivation is that Andria Lisle, Brooks' associate curator of film and public engagement, thought it would be interesting to give the city of Elvis its first in-person exposure to a very different type of man who also was celebrated for his beauty and cool. I just get there up and take questions and try to be as truthful as I can, and it's usually pretty funny. I see life as a good thing, you know.
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